Guillaume Langlois co-directed the photography for the short documentary Greluch, directed by Daphnée Côté-Hallé. Shot over a period of five years, this film paints an intimate portrait of Greluche, the clown alter ego of Isabelle Côté, the director's mother. On the cusp of retirement, Greluche embodies a free and unconventional woman, for whom childhood is eternal thanks to her inner magical forest. The film explores themes of old age, dual identity, and madness, highlighting how imagination becomes a survival mechanism for the woman behind the clown. The photography, by Guillaume Langlois and Raphaël Ouellet, sensitively accompanies this exploration of Greluche's inner world.